L’indolente and Masterpieces from Paris

By gerard oosterman

L’indolente 

We visited the National Gallery against all advice not to attempt it during week-end. We arrived about 11.30 and the queue overhead the roadway did not look promising. We clambered up some stairs amongst the rubble of a large extension, plywood panelling on both sides with scaffolding. Upstairs and outside under a tent-like galley we joined a queue. There was some queue confusion when it became clear you first had to get tickets. We joined a new one, bought our tickets and returned to the original file. Towards the entrance the line of keen art appreciators was compressed into a zig-zag line-up, giving hope and revival of spirits to all and sundry.

It was moving along   nicely and we were finely ticketed inside and moved into room NR 1.  It was well worth it and the crowd was filing pensively past each and every painting.

George Seurat’s three little paintings of his frontal nude girlfriend in room NR 2 were outstanding . I took note that she appeared underage but it must have past the classification board at that time.

In room NR 3 was a large painting by Gustave Geffroy of a man in front of a large bookcase. I did not realise that penguins were already available then. Please also notice the Dutch tulips with the plasma telly just above them.

Cezanne certainly loved his onions with beautifully coloured plates of fruit as well. A beautiful monochrome coloured painting by Edouard Vuillard was outstanding.

Gustave Geffroy 

A crackerjack painting of a fat cracking portrayal of a mouthwatering and beautiful sprawled on bed nude was Pierre Bonnards ” woman dozing on a bed” with the very suitable French title L’indolente, was in my opinion the most outstanding of the lot.

This is a must see exhibitions. Come on everyone. Go and see it, even on a Saturday.

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